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MASTER
OF DESIGN DVD:2
10 profiles on one DVD
US$27.50
including
7-10 working days international AIRPOST delivery.
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SYDNEY
I
was taught by George Ingham at the Canberra school
of art. I would do the absolute best I could do
and think I had this most special thing, and bring
it over and say 'Check this out', and then he would
strip you down and you would go home feeling 'Ohhhh
I'm broken!' But you would come back the next day
and he would lift you to understand the importance
of detail, the refinement, not to stop to think
'that will do'. Burn it and start again and get
it perfect.
[
awarded a prize by Philippe Stark]
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| JON
GOULDER |
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| 1.
John Goulder |
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MELBOURNE
I
was exposed to these different paradigms and philosophies,
all very valid but sometimes absolutely contradictory.
One was Massimo Marozzi. He was a continuous chain
smoker, continuos ristretto coffee drinker. Massimo
believed in throw away things and I have never been
confortable with that idea. But then he taught me
another lesson. Hardly anybody washes today with
collected water which started me thinking about
flat areas which is going back centuries to the
Greek and Roman times.
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| OMVIVO
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| 2.
Joseph Licciardi |
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MELBOURNE
I
really liked working with a material that was really
hard like granite, where after I hit the chisel
and hammer into it, it just bounces back and there
is a little dot, and you have put your whole energy
into it.
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| ASHIKA
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| 3.
Ashika |
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SYDNEY
Good
design fills the spirit. It is a way of having more
than a 2 dimensional life, you have a multi dimensional
life, there is meaning in everything. It is like
music. Why listen to this particular song? Because
it speaks to you.
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| BANG
DESIGN |
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| 4.David
Grainger |
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MELBOURNE
We
allow each other to express ourselves and let the
other person's idea to run over over the top of
our idea. Most architects have their idea and they
don't want anyone tampering with that idea. What
we have is a kind of strange symbiosis.
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| McBRIDE
CHARLES RYAN |
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| 5.Rob
McBride |
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MELBOURNE
People's
exposure to hospitality is alot higher today, so
they are actually wanting hospitality elements bought
back into the office environment, and vice versa
back into residential design: that it is not just
a home office, but it is also a spot where they
actually spend alot of time trying to reinforce
their lifestyle as well, so they are actually trying
to gain time back.
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| SJB
INTERIORS |
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| 6.
Andrew Parr |
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SYDNEY
A
country like Italy wouldn'be be pioneers of design
still today, if they didn't persue different benchmarks
all the time but the majority have reached their
comfort zone. Whereas here in Australia I think
we are not constrained so much with tradition, here
in Australia we are able to be more adventurous
with our ideas.
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| GARY
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| 7
Gary Galagos |
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MELBOURNE
Glass
is a very hard medium to master and it is very frustrating
at the beginning. The more you work with it, the
more determined you are that you have to master
this glass and it sucks you in.
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| GORDON
GLASSWORKS |
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| 8.Eileen
Gordon |
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MELBOURNE
Whilst
it is fluid, whilst it is workable, it is moving
- often people describe glass making a little bit
like a bull fight - you tease it, you prod it, and
you get to know it, but it always does something
unexpected.
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| WIRDNAM
GLASS |
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| 9.Nick
Wirdnam |
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MELBOURNE
All
through my art career I have been interested in
colour. In the 70's I was much more within a figurative
tonal range of colour but once I realised that when
I played complementary colour, I could make it dance.
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| ADRIANO
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| 10.
Adriano Gemelli |
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MELBOURNE
I
will often talk to my staff about how forgiving
the building process is, because it is so slow.
As long as you are on a site and looking creatively
rather than looking for defects, you realise there
is still an enormous potential even in the act of
construction to further revise and develop some
of your ideas.
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| JOHN
WARDLE |
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| 11.
John Wardle |
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NEW
YORK
I inherited nothing. Everything I have is what I
have bought. Unfortunately living in America, and
particularly in New York, we have such small spaces
you don't have a chance to do all the things you
like to do with the things you have collected so
you end up putting them in storage. It is a sickness
you know. Collecting is a sickness.
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| MARIO
BUATTA |
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| 12.
Mario Buatta |
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Edition
Details:
-
Region Free encoding
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PAL/NTSC Compatible [high resolution PAL production] .
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Commentary by Talent and Filmmaker
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Soundtrack 44.1kHz/16Bit High Music reproduction Quality
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4:3 standard format
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MASTER
OF DESIGN DVD
1 & 2 for only US$49
Free
Preview
is 320 X 240. File
size is approx. 500kb. Preview
duration is approx. 10-15 seconds.
PAY-PER-VIEW
is 640 X 480 resolution using DVD-quality Windows Media 9 Codec.
Each
File size is approx.45-50Mb. Each
Video Duration is approx. 10minutes
You
will receive download instructions by email immediately after payment
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