Abraham-Louis
Breguet advanced the art of watchmaking two centuries in one
lifetime.
"Time
goes, you say? Ah no! Alas ,Time stays we go".
So wrote the
philosopher Aelius Donatus in the 4th century AD. And it is ironic
to think that Man has wasted so much time in the vain hope of
finding a fountain of youth, and elixir of immortality. Misplaced
vanity perhaps. Yet even at the dawn of Man's existence, the simplest
sun-dial mocked such arrogance, signposting time's perpetual forward
progress with unfailing certainty.
An unalterable
fact, time has let the fertile minds of ingenious men to conceive
and plot its course with man-made instruments of which the sun-dial
remains a rather crude yet necessary beginning. It was the very
perpetuity of time which inspired learned men to talk of infinity
and eternity thus inspiring even the earliest horologists to find
an instrument which could keep pace with time and record its passage.
One of the
first watchmakers to develop anything even remotely resembling
a perpetual timekeeper was the Swiss born Abraham-Louis Breguet.
A recognised technological genius whose creative output out-stripped
the thinking of even his most astute contemporaries, Breguet was
only 15 when he was apprenticed to the master watchmakers. Born
in Neuchatel, Switzerland in 1747, Breguet was only in his thirties
when he revolutionised the craft of horology, introducing the
world to the reality of the automatic clock, the tactile watch
for the blind and so many benchmark innovations that he would
be paraded before Kings and Statesmen as the greatest watchmaker
of his or any other time.
It was Breguet's
ability to articulate the relationship between the ethereal nature
of time and the dilemma of physically representing it accurately,
which set him apart even as a lowly apprentice. Reasoning that
a timepiece had to mimic time rather than the other way round,
Breguet struggled to develop movements which would take into account
such error-inducing factors as variations in position and balance
of the timepiece. Although it wouldn't be until 1795 that Breguet
would develop the revolving carriage watch - the Tourbillon, which
eliminated positional errors by rotating the balance once each
minute, he was already being hailed as the leading watchmaker
of his generation by the time he opened for business in Paris
in 1775.
A skilled
craftsman in an era when matchmaking was still an art rather than
an industry, Breguet won the much coveted approval of the then
French King Louis XV, who as a patron of the arts and crafts encouraged
the young watchmaker by introducing his work to the royal Courts
of Europe. It was only the outbreak of the French Revolution which
forced Breguet out of France and back to the famed watchnaming
region of Jura in his native Switzerland, where today the timepieces
bearing his name are handcrafted in modern workshops in Le Brassus,
Vallee de Joux.
"What
set Breguet apart and impressed the likes of King Louis, was his
ability to do what other watchmakers before him had not done",
explains M. Francois Bodet, General Manager of Breguet today.
"Where others had concentrated on producing simple timepieces,
Breguet went one step further. Not only did he produce watches
which had improved on the technical excellence for which his fellow
Swiss continue to be recognised, but he married it to the best
of the unequalled French flair for style and elegance".
No doubt inspired
by the sheer majesty and opulence of Eighteenth century French
architecture and the regal splendour of French design, Breguet
sought to reflect such beauty in his own creations. But this,
only after he had perfected the mechanics of timekeeping to an
unparalleled level of sophistication.
One of Breguet's
earliest triumphs was the perpetual or automatic watch which was
so precise it was capable of running for eight years without slowing
down or needing an overhaul. Unprecedented too was the development
of the multiple complication watch which besides showing merely
the time also kept track of the date, month and even the phases
of the moon. All of this for the first time on the one dial. Such
multiple functions required Breguet to design and perfect mechanisms
so intricate that it became possible to make timepieces accurate
to within 1/10th of a second.
The consequence
of this work led to significant refinements in other areas such
as marine navigation and astronomy, with Breguet's uncanny ability
to couple the laws of physics with the practicalities of instrument
design forging the way for progress in both disciplines. The modern
marine chronometer, for instance, owes much to Breguet's appreciation
of physics and the manner in which variables such as position
affect an instrument's ability to give accurate data.
While it would
be almost impossible to list all of Abraham-Louis Breguet's horological
achievements in the 77 years before his death in 1823, many, like
the development of hand-worked, engine-turned dials are the cornerstone
around which the Breguet name continues to prosper. First introduced
in 1798 this technique for working metal dials gives the watchface
a distinct diamond-shaped raised relief which adds both character
and refinement to an already stylish appearance. To further enhance
this stylishness M. Breguet also created what was to become a
signature aesthetic feature for Breguet - the famed apple hands
- sweeping arrow-point heads on tapering arms. These, coupled
with the fluting on the case, have become marks of authenticity
for the many collectors of Breguet watches - much like the watermark
on a banknote.
"Breguet certainly was a master when it came to innovation
and design", explains M. Bodet. "Not only did he turn
his hand to perfecting the whole science of horology, but he realised
the necessity for producing a product which had intrinsic value
as a work of great craftsmanship". To this end, the forty
master watchmakers employed by Breguet continue to handcraft every
timepiece. Even the tiny links which make up the gold mesh which
forms the band of one range of ladies wristwatches are individually
assembled. "One watchmaker makes one watch. What he starts
he finishes, no-one else touches it. This makes our watches even
more exclusive and rare. When one wears a Breguet watch one wears
the very history and heritage of Breguet. He was a very special
craftsman".
Yet despite
all the innovations and accolades the Breguet name was virtually
unseen on the world market for many years after the founder's
death, the brand passing out of family control to a series of
owners who according to M. Bodet 'didn't understand what Breguet
was really about'. Only after he was asked to look back through
the Breguet records and study the archives did M. Bodet realise
the largely unrealised potential inherent in what Abraham-Louis
Breguet had established.
"That
was in 1973" M. Bodet explains, "and I had been asked
to find a style with which to really put the Breguet name back
on the market. What I found was that what M. Breguet had done
all those years ago was in fact just what the market wanted: style,
elegance and of course incredible technological sophistication.
Of course the pocket watches and clocks M. Breguet had started
with were by then part of a much larger product range which included
gents and ladies wristwatches. Today, I am pleased to say that
we buy the rough movements from a select group of manufacturers,
refine them to our needs and handmake all the mechanisms for the
various functions and complications ourselves".
Apart from
the obvious there are five distinctive features which set Breguet
watches apart, features which are as synonymous with Breguet as
is the discovery of the necessary mechanisms for taking a leap-year
into account. Besides the distinctive fluting of the case and
the engine-turned dials, there are the idiosyncratic hands and
numerals dating from 1800, the 18-carat gold lugs and the buckle
also made of solid 18-carat gold. It is these features which Breguet
collectors look for when checking for the authenticity of their
potential acquisition, acquisitions celebrated as works of art
in their own right.
"As a
jeweller myself with many years experience working with watches",
adds M. Bodet, "I appreciated from the very outset the subtle
blend of technical sophistication and artistic integrity that
was immediately evident in what M. Breguet had initiated. When
one considers that what he did two centuries ago continues to
be implemented by watchmakers today, the impact of his genius
is obvious. Breguet has a heart for what it does, and it harks
back directly to the feeling inherent in the traditions M. Breguet
himself instigated".
Although a
slow and meticulous business which limits the number of timepieces
produced in a year to about 2000, it is just this exacting attention
to detail and the personalised manner in which every piece is
created that has attracted a huge following for Breguet products.
So much attention and satisfaction in fact that at the time of
writing there was a standing order for more than one years worth
of output. Rather than stockpile their products Breguet have a
policy of making a large part of their range to order, with select
distributors around the world catering to a very discerning clientele.
Even a casual
perusal of a Breguet catalogue reveals wristwatches, pocket watches
and clocks of exquisite beauty; from the elegantly clean lines
of a simple white dial with a minimum of complications, to the
brilliance of the diamond-studded dials with bands finished in
emeralds and pearls.
Although credited
with developing the worlds first tactile watch for the blind in
1796, a major academic and technological advance, Abraham-Louis
Breguet was as concerned with the creation of timepieces which
would be as pleasing to the eye as they were accurate for telling
the time. As part of his endeavour to create timepieces which
would endure, Breguet further developed the first shock absorber
for watches. All this so that clients for his time-pieces - which
have included Napoleon Bonaparte, the Royal House of Russia, Marie-Antoinette
and much later Sir Winston Churchill and the Prince of Wales,
could all be assured of owning a truly exceptional work of great
craftsmanship.
Amongst the
most successful Breguet timepieces are the Skeleton clocks whose
intricately engraved inner mechanisms are visible through the
face of the dial. Gold or silver mechanisms painstakingly hand-engraved
by master Swiss craftsmen and often embellished with precious
jewels, peep out from one corner of the dial or occupy the entire
face, giving the watch an almost surreal appearance.
Where many
lesser watchmakers were content to compensate their lack of technical
precision with lavish decoration, Breguet was fundamentally more
concerned with functionality than decoration. To this end even
his earliest creations whilst aesthetically breathtaking, were
first and foremost works of intricate technical detail comprising
such revolutionary features as a separate seconds counter, moon
phase analogs and even a power-reserve indicator to alert the
owner to the amount of power left before the watch requires winding.
Just as Abraham-Louis
Breguet's astute understanding of the importance of offering his
influential clients both technical and aesthetic precision won him
international acclaim in his day, this same philosophy embodies
the brand that carries his name into the next century. Stylish elegance
matched with peerless precision gives Breguet a distinctly unique
place amongst the timepieces most sought after by both the avid
horological collector and discerning client.
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