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Leontre is
a very prolific name. Signifying France's most celebrated patissier,
it completes the triumvirate that boasts Bocuse and Verge as fellow
office holders. It is also LEONTRE S.A., an international corporation
that is to specialty foods what the Cardin name is lifestyle. From
his native France to Canada; the U.S., Europe, Arabia and Japan,
Gaston Leontre's distinctive logo, a Centaur-like illustration of
a quadruped chef inextricably melded with his beloved table symbolises
the now seventy year old master chef's philosophy and life's work.
Indeed, in gastronomic mythology, the Leontre name occupies a lofty
place in the pantheon both for his cuisine techniques, and for a
formidable business acumen more seemingly attributable to a Wall
Street entrepreneur than a three star chef.
Gaston Leontre's
career has been an extraordinarily successful one; from his early
years as a teenage apprentice in his native Normandy when he dreamed
of being one of the legends of cuisine, to the pervasive presence
of the surname that has application to just about every segment
of the contemporary culinary world. Lenotre's name has literally
turned to gold. Today, LENOTRE is a centre of production and research,
an Ecole Gastronomie staffed by the best teachers and chefs in France,
and with a student intake of 1800 each year; it is two prestigious
restaurants both housed in Parisian landmarks, retail outlets that
span the globe recipes books, a gift division, catering operation
and a vested interested in the Epcott project at Florida's Disney
World with Bocuse and Verge. A formidable inventory of interests
in anybody's books, but as yet not complete.
"If this
brief resume stops here, dear friends, you must not think that this
is the end of the Lenotre story," writes Gaston in his most
current C.V. "Far afrom it. The world is a vast place, and
as we carry out professional pride to the four corners of the earth,
we becoming roving ambassadors of French culture.
Such expansionism
implies some considerable manpower, and today LEONTRE employs over
900 people. However, throughout its thirty year history, LENOTRE
has also maintained a very strong familial orientation. Gaston's
wife Colette, has been by her husband's side throughout the evolution
of the business, their son is also involved in the running of LENOTRE,
daughter Sylvie helped adapt the recipes for general consumption,
and Annie, operates the vast gift division in addition to acting
as translator for her father when food as that other universal language,
requires some more specialised definition.
The yearly catalogue
produced by the gift division, supervised by Annie and circulated
around the world, yields a plethora of unspeakably indulgent delicacies
- a sort of Gormets Own Annual. Beautifully presented packages displaying
a mouthwatering array of Leontre specialities span the full range
of the delights of the table. The intricately patterned and vibrantly
coloured boxes evoke the Orient in Boite Ispahan, the cool hues
of the Greek Islands in Boite Greque; individual chocolates are
presented in specially commissioned Limogoes porcelains, boxed Lenotre
truffles and sweetmeats, eponymous Champagnes in gift sets and the
full range of sizes, dessert and table wines - Leontre Chateauneuf
du Pape, Bordeaux and Sancerre accompany baskets and hampers bearing
foie gras, truffles, olives, preserves, condiments with crockery,
cutlery and glassware - all the arts de la table. If it has anything
to do with the palate and degustation, there is bound to be Leontre's
stamp on it. He evens imports his own line of caviar.
Similarly, when
Lenotre caters for a function, his signature style is omnipresent.
A beautifully bedecked banquet table groans under the weight of
magnificent peacocks constructed entirely from smoked Parma ham
; country fresh breads baked with intricate leaf motifs, whole stuffed
pigs, an enormous fish made from the finest smoked salmon and prawns
- an unashamedly decadent display of foodstuffs of the type that
quite likely contributed to the fall of Rome. And then there are
the desserts, pastries and confections which earned Gaston Lenotre
the title of France's most acclaimed and perhaps the world's most
celebrated patissier.
Sitting in Pre
Catelan, in the heart of the parklands of Paris' Bois de Boulogne,
Gaston Lenotre surveys the grand decor and period accroutements
of his "pride and joy". This former eighteenth century
casino has been transformed into a restaurant/reception and conference
facility that crowns his international empire of cuisine.
"I suppose
I am like an ambassador," he says through Annie, who despite
being well-versed in English has difficulty in keeping pace with
the many vignettes that her father instructs her to translate in
his spitfire French. "All our friends, like Verge, Bocuse,
Troisgros are restaurateurs too, but we are in enterprise."
"We don't
have the same approach as what they are doing - they are promoting
classical French cuisine; the methodology, the dining experience,
the tradition. We can do much more in fact, because we number 900
around the world. The difference also lies in the fundamental mentality
which obviously differs between a restaurant and what we are doing
all over the world. However, we are obliged to create to create
the same quality as is represented in a restaurant, no matter what
project we undertake. This is particularly true, when we cater for
the large tournaments like the golf near Paris where 2000 people
attend and we must feed them all. Also, when we do the Epcott meals
with Verge and Bocuse where we are serving up to 5,000 people a
day, we attempt to maintain the same level of quality as what we
have here at Pre Catelan.
Indeed, despite
the mammoth logistics and vast tributaries of his products, Lenotre
is well known for his commitment to using only the finest raw materials
and ingredients and he has often gone to extraordinary lengths to
secure them. the satisfaction of exacting gourmets from Paris to
Tokyo depends on it.
Gaston Lenotre
was twelve years old when he made his first dessert - rice pudding,
a less than exact indication of the skill he was later to epitomise.
He served it to his parents, themselves both chefs prior to the
First World War in Paris - his mother at the private home of one
of the Rothchilds, his father at a grand hotel near the Opera. Home
was a peaceful little Norman village with a population of 150 excluding
la famille Lenotre and not much was thought of the little Gaston's
first culinary triumph until the following year, when the elder
Lenotre felt ill and Gaston was forced to choose a profession to
support the family.
Taking as a
guide his love of sculpting and moulding, the options could not
have appeared to been more polarised - cabinet-making on the one
hand, and pastry on the other. Although both require inordinate
patience, an exacting eye, and more than a modicum of skill in the
decorative arts, his ultimate choice was to see him lauded as the
finest in his field in all of France. It was not cabinetmaking.
One year later,
Lenotre became apprenticed to a series of bakers throughout his
native region and he worked fervently at learning all he could about
is craft for the next four years. His dream, however, was to work
in Paris for the legendary Rumpelmeyer, and in 1936, with his formal
qualifications under arm, the City of Lights is just where the sixteen
year old headed. Ambitious certainly, but yet imbued with the notion
that he may one day surpass his idol's success.
"I began
at thirteen and at that age, I did not think that I wanted to have
an empire - I was just very passionate about food and I wanted to
learn everything that there was and is to know about gastronomy
from patisserie and glace, to charcuterie and boulangerie...I just
loved it all! Of course there was pastry, but I wanted to know it
all! I often think back to the days when I was a young apprentice
in Normandy - so proud of having passed my exams - and my dream
of working for the famous Rumpelmeyer in Paris. I think that my
disappointment at not being able to do so only fuelled my desire
to excel and to see my name amongst the greats of the world's chefs.
"At the
time though, war put a stop to my ambitions and as fate would have
it, I found myself back in Normandy."
Indeed, the
Paris of the mid thirties was not exactly a hive of employment opportunities
in the art of the patissier. The Depression had hit hard, and even
a city whose day has always began with a pastry and coffee, could
not relinquish the chains of economic hardship to perpetuate a most
beloved craft. Few openings were available, but Lenotre eventually
found work with a pastry chef in a Parisian suburb where he remained
for a further four years perfecting his skills. He left war ravaged
Paris in 1940 and returned to Normandy working as chief pastry chef
in a small bakery in the town of Pont-Audemar.
Around this
time, Gaston married Colette who is today, as much a part of the
thriving Leontre concerns as her famous husband. Together, Gaston
and Colette opened a shop in Pont-Audemar, and although only twenty-six
years of age he had by this time, worked half his life as a pastry
chef. Pont-Audemar was the turning point in Leontre's career - from
the kitchen of the tiny premises he consolidated both his craft
and his reputation as a unique patissier with a very special talent.
"Post-Audemar
was the stepping stone to greater things and afforded me the chance
to perfect my craft, "Gaston fondly recalls. "I was recreating
and innovating certain dishes whilst reviving a number of old recipes
which had been forgotten in a country suffering under severe rationing
restrictions."
"Pont-Audemar
was the stepping stone to greater things and afforded me the chance
to perfect my craft," Gaston fondly recalls. "I was recreating
and innovating certain dishes whilst reviving a number of old recipes
which had been forgotten in a country suffering under severe rationing
restrictions.
Pont-Audemar
was an immediate success. His reputation grew and people from all
over the region paid the obligatory visit to Leontre to indulge
in his fabulous creations. He was acutely aware of the desires of
a people starved for delicacies so, using the fruits of his own
imagination and breathing new life into long abandoned recipes,
he appeased a collective sweet tooth of whom whimsical indulgence
had become almost a memory.
It was here,
also that Gaston formulated the key to his culinary credo - use
only the finest and freshest ingredients available and your work
will already be half a success. Perhaps no other region was better
suited to aiding such a philosophy as Normandy. Long regarded as
one of the best in all of France, the Normandy table burgeons with
natural produce in abundance. The coastal waters of the Channel
provide a multitude of fishes and crustaceans and the quality of
fruit and dairy products is legendary in France. The butters, creams
and apples are especially fine and form the basis of some wonderful
provincial desserts - bourdelots, apple turnovers, sucres des pommes,
mirlitons...
Accordingly,
only the freshest eggs, butters, creams and fruits were used at
Pont-Audemar. Being well-acquainted with all the farmers and dairy
men of the area, Gaston utilised these relationships well in addition
to searching out new sources of highest quality raw materials. The
results were seen in desserts that were both light and elegant,
traditionally French and definitively Lenotre.
For ten years,
Gaston and Colette - he in the kitchen behind the shop preparing
pastries and desserts that were earning a nation-wide reputation,
and she greeting and serving the countless customers who descended
upon the small premises - watched their venture grow from strength
to strength. More than just a regional attraction, Lenotre was a
bona fide success story and things could have well remained comfortably
so. But Gaston's abiding dream, had always been to work from Paris.
Couple with this, the fact that demand well exceeded supply of his
cakes and pastries and a larger more accessible kitchen was required
to supply not just one but several outlets with his products. Such
an objective was not possible in Normandy and so at the urging of
his wife, herself a Parisian, Lenotre of Paris was realised.
"How could
I not set my sights on Paris when every week, Parisians on their
way to and from Deauville were religiously stopping off at Pont-Audemar
to sample our wares? So, in answer to this, we launched our first
Parisian venture in 1957, on the rue d'Auteuil - and the Parisians
wholeheartedly supported us."
The shop was
based on the original in Pont-Audemar - traditional cakes and pastries
in similar surrounds with a similar service philosophy - Colette
at front of house and Gaston baking on the premises. In no time,
the Parisians were flocking to the rue d'Auteuil, prompting him
to enlarge the premises in 1964 and commence his catering operations.
The spread of the Lenotre name was pervasive from this point. A
second shop was opened in Boulogne two years later and the husband
and wife team of Colette and Gaston formed the company; LEONTRE,
S.A.
"As we
grew, we became aware of a need for a catering and reception service,"
recalls Gaston. "Today, although staffed by extremely professional
and very creative master chefs - who really do not need me! - I
still enjoy putting on my chefs hat and working in the kitchens
there."
The kitchens
of which Gaston speaks are headquartered in Plaisir, thirty miles
outside of Paris near Versailles, the realisation of another longtime
dream - to centralise operations servicing his now considerable
amount of shops in Paris. Here his research laboratory distribution
points and independent kitchens are housed.
Within the enormous
kitchens, Gaston began to train chefs in the different specialities
with which he had cemented his reputation. Despite the logistics
and the expense, he continued to have butter and creams shipped
in from Normandy and adhered stringently to the use of the best
ingredients he
TIAN DE CANARD
POIRE AU VIN
1 roast duck
200 g girole
mushrooms
20 g chives
400 g spinach
pre-cooked pastry
500 ml red wine
1 pear per serve
Saute and roughly
chop the giroles and mix with the chives. Arrange on the bottom
of the pre-cooked pastry and cook in a quiche dish in the oven.
Roughly chop
and boil the tomatoes quickly, then arrange the tomatoes in a bed
on top of the mushrooms. Cook the spinach with butter and then lay
it down on top of the tomatoes.
Cook the duck
in a roasting pan, then remove the skin and finely slice. Arrange
on top of the spinach.
sauce:
Reduce down
a sauteed shallot, 500 ml red wine, the roasting juices of the duck,
salt and pepper and a tablespoon of butter.
garnish:
In red wine,
poach the pear with sugar, cloves, the zest of an orange, black
peppercorns, and cinnamon. Then, arrange decoratively on the plate.
TURBOT AU POMMEAU:
100 ml apple
puree
300 ml cider
80 g shallots
70 g champignons
parsley sprigs
1 piece of turbot
140 g, braised
300 ml cream
1 litre light
fish stock
Saute the shallots
and champignons in a bit of butter then add the apple cider and
reduce. Add the cream and the fish stock and reduce again. If necessary,
bind with a little cornstarch very gently and then pass through
a chinois. To finish, add the apple puree. Nap the sauce around
the braised fish and garnish with the cassolette and baked apples
cassolette
Butter and then
line a small fire proof dish with puff pastry and bake until golden.
Then remove gently and fill with 50 g of spinach and 2 chopped carrots
sauteed in butter.
garnish:
Apple quarters
cut into fine slices cooked in the oven on a buttered baking tray.
Creme Chibouste:
1 cup milk
1/2 vanilla
bean
3 egg yolks
35 g granulated
sugar
20 g corn starch
Place the milk
and the split vanilla bean in a saucepan and bring to the boil.
Cover and keep hot. Whisk together the sugar and egg yolks until
the mixture whitens and forms a ribbon, then gently stir in the
cornstarch with the whisk.
Strain out the
vanilla bean and pour the hot milk into the egg and sugar mixture,
beating all the while with the wire whisk. Pour the mixture back
into the saucepan and bring to the boil again, stirring constantly
with the wire whisk so that the mixture does not stick to the bottom
of the saucepan.
Boil for one
minute, stirring vigorously, then pour into a bowl and lightly rub
the surface of the cream with a lump of butter to keep a skin from
forming as it cools.
Crepes
80 g butter
250 g flour
1/3 cup oil
60 g granulated
sugar
6 eggs
2 cups milk
Cook the butter
until it is barely light brown and has a slightly nutty smell. In
a mixing bowl, mix the four, oil, sugar, eggs, melted butter and
1 cup of milk. Beat until this mixture is smooth and continue adding
the remainder of the milk. Allow to stand.
Make the crepes
in two crepe pans, cooking them for about 1 minute on each side.
When cooked, keep the crepes warm until ready to use.
Make a rectangle
shape using the crepes placed on top of each other. Spread with
the chibouste cream, and then refrigerate for 20 minutes. Remove
from the fridge and roll the rectangle up. Divide the roll into
sections to serve. Sprinkle with sugar and garnish with orange segments,
crystallised orange peel, and sorbet if desired.
could possibly
find. He now managed to combine the skill of the artisan with the
practicality of increased manpower.
By 1970, Gaston
had opened four new outlets in and around Paris heralding a continuing
era of unbridled success and unprecedented profile. Then in 1971,
Gaston's 'Ecole Gastronomique' was opened in Plaisair under the
direction of Gilbert Pon'ee. Teaching staff include some of France's
top chefs - specialists in every facet of cookery from; the finer
points of glace to the intricacies of charcuterie and the art of
the chocolatier. In 1986, enrolments numbered 1800 - qualified chefs
from all over the world who have come to Plaisir to appropriate
the Lenotre philosophy of quality in the manner of the finest culinary
traditions.
"When I
was young, chefs did not want to share their recipes with the younger
people, there was always a veil of secrecy behind them," says
Gaston. "I saw that the only way to maintain the quality and
the mentality that is so important in recipes of a high standard,
was to give back to the young chefs who are coming up - to ensure
that a certain way of thinking and cooking was being maintained.
I knew that it was very important that one day, if I could, be able
to teach gastronomy to the world as well as prepare it for them.
When you first learn gastronomy, you cannot learn anything beyond
what is fundamental - you must master this first. Later on, you
specialise, when your confidence and your abilities have become
stronger and stronger. There was no school for adults at the time,
for chefs with some experience to expand their skills and that is
where my school comes in. I am happy to share my recipes with others."
What Gaston
teaches in each of the forty courses, is the underlying philosophy
of quality in the raw materials in addition naturally, to his celebrated
techniques. He is a culinary evangelist in the form of a self-styled
educator and is intolerant of the shortcuts that many of his brethren
have taken to using.
"You cannot
prepare a truly fine dessert without top quality ingredients. There
can be no skimping here - if a recipe calls for a pound of butter,
then you must use a pound of the best butter, and no substitute,"
he says. "It is impossible to create fine desserts with mediocre
products and some products - like artificial flavourings - might
even prove harmful. Unfortunately, make bakers today, no longer
pay attention to the quality of the ingredients they use, and the
result is a dessert that is only a parody of the real thing.
"You will
never seen finished products as the base of recipes in our restaurants.
Often restaurants will buy ham or fish or something that has already
been prepared before adapting it for use in their establishments.
That never happens with LENOTRE. All our products are sourced from
Plaisir and are prepared from scratch on the premises, never for
convenience and never, ever frozen. We buy fresh everyday: to be
a good chef is to understand that the freshest of everything must
always be used."
Today, LENOTRE
is a vast concern, spanning both hemispheres and some of the toughest
international markets, and encompassing such terms as franchise
and licensing, traditionally quite foreign to the culinary arts.
In 1975, the first franchise contracted in Germany was signed with
the HERTIE group in Berlin soon followed by franchises in Hamburg
and Munich. Lenotre then embraced publishing, releasing the first
in a series of three books on desserts and entertaining.
Pr'e Catelan
was acquired in 1976 transforming Lenotre into a restaurateur for
the first time. Today, Colette Lenotre manages the magnificent premises
with Chef de Cuisine, Denis Bernal concocting the marvellous menus.
In addition to the restaurant proper and the twelve different receptions
salons, the full conference facilities and audio-visual systems
are manned by an enormous complement of eclectically skilled staff;
from inhouse florists and interior decorators to translators and
pyrotechnicians.
Then in 1979,
came one of Gaston's most important coups. In conjunction with the
SEIBU group, the first franchise shops selling LENOTRE products
opened in Japan. The way to a nation's heart it seems, is through
its stomach and today, there are eleven Lenotre outlets in Japan
supplying a nation eager to familiarise itself with the French way
of life.
"In Japan
alone there are 200 people working to prepare food for LENOTRE,"
says Gaston. "There are 15 chefs amongst them preparing delicacies
that people can eat in the shops themselves, although we do not
have restaurants there. When I made my first trip to Japan in 1971,
I thought even at that time that the Japanese were very interested
in French gastronomy however, we waited for eight years to sign
our first agreement. Everything that we can do in Paris and in fact,
the Japanese love all the traditional pastries, pate des fruits
and chocolates.
From 1982-83,
two new shops were opened in Paris and one more in Plasiri, and
a year later Canada was targeted as a welcoming LEONTRE market with
the opening of a first shop in Montreal to be partnered in 1986
by a second on the Quebec capital. Lenotre then secured his place
on the Champs Elysee with the acquisition of the prestigious Pavilion
Elysee, a belle epoque mansion in the lush garden setting of the
Carre Marigny. Gaston has transformed it into the Elysee Lenotre,
a period showpiece boasting one of the world's best sommeliers and
a kitchen of chefs dedicated to Gaston's emphasis on fresh produce
cooked in the traditional manner but with a lighter, more modern
approach to the regimented classical elements such as saucing. In
that same year, the tenth French LENOTRE outlet opened in Neuilly
whilst in the Middle East, the twenty-eighth was launched in Riyadh,
Saudi Arabia.
But perhaps
the most prestigious commendation in 1987, when the little Normandy
pastrymaker became a member of the elite Comit Colbert. To celebrate,
Gaston purchased an additional 14,000 square metres in Plaisir to
expand his central base.
Within the entire
sphere of his considerable and eclectic activity Lenotre maintains
that he has never lost sight of the abiding concern of quality and
excellence in all he prepares. The freshness and lightness that
characterise his pastry, are now significant features of the other
culinary disciplines in which he has forged his identity.
When pressed
to answer why and how he has built an empire from a humble rice
pudding all those years ago, his answer is both accurate and frustrating
simple. "Discipline," he says firmly. "That is the
first and most important point. One must learn the skills, intricacies,
the techniques and then one must teach them to others. I have so
many interests because I am obliged to. You see, very often, if
you want something done well or to a certain method, you must do
it yourself. Then, you can do anything!
"The young
chefs want it all too quickly," he laughs, "ignoring the
challenge of being a good chef and not taking the time to master
our profession. They often leave France to go overseas to cook but
when you are a long way from home , often you cannot find the best
products, you may not know where to look and you may fool yourself
that your customer cannot see the faults.
"In France,
each day, a chef can see if he is getting better and better , because
the customer knows. To my mind, you must practice your craft for
at least ten years before you could even consider yourself to be
a good chef. And even then, you must have breached all the disciplines
in gastronomy - start with patisserie which is an excellent base
because it is really a mathematic science. You have to make your
confectionary, your chocolates, your desserts with meticulous precision,
after that you can go on to another discipline and then continue
to develop. I t takes time and dedication, but if you want to be
the best, this is what you must do."
Perhaps a legacy
of his regional upbringing, is the generosity of both spirit and
amount in the servings he profers his customers. No trifling bonbon
encased in layers of disguising tissue, or lone chocolate island
in a sea of colourful wrapping at LENOTRE retail, and certainly
no parsimonious nouvelle cuisine architecture on the Pr'e Catelan
plates. Gaston clearly enjoys the provincial style of hospitality
(albeit with a distinctively silver service delivery). He dismisses
the preoccupation with waistline and cholesterol levels, provided
one excerises restraint in general..
"At home
you can eat less," he declares. "When you dine with your
family every single day, then you must be careful about what you
eat and how much you eat. But it is not every single day that one
dines in a three star restaurant and therefore you can afford to
be a little bit freer with your appetite and we can be with the
servings. When you are having a party with your friends, when you
are eating out for the pleasure then, I believe that one ca n, and
should eat what one likes!"
Although it
may appear that Gaston LENOTRE could well have exhausted the avenues
of further expansion, nothing could in reality be further from the
truth. There are projects in the offing that will take advantage
of the Common Market, and LENOTRE S.A. will invade Spain, Italy
and perhaps some more of Germany in the near future. For himself
personally, well, Gaston Lenotre's ambitions are a little less virulent.
He wants to do a bit more fishing. "Now I work every day,"
he says a little wearily, "so maybe next year I will take it
a bit easier." Then again, a whole Eastern Block has probably
never experienced the joy of a freshly baked brioche, a croissant
that exists as the perfect show case for the finest Normandy butter,
or a rich chocolate created only to melt in the mouth. Perhaps he
had better put next year down to the one that got away.
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